These benefits are, in large part, what makes this camera the best valued modern SLR camera you can get. I should note that this list could easily be “What I Love” about this camera. That may not seem like much, but that makes a big difference when it starts to get close to dusk or it’s dark out.
With the Tamron, I have no qualms with shooting wide open, and I can easily shoot at 1/15 s, essentially two stops more than I was able to do with the 50mm f/1.8. I never shot below 1/60 s, or else I’d get some camera shake. Prior to the Tamron, I tried not to ever shoot wide open, as it always just felt so soft. A few months ago, however, I bought a Tamron 45mm f/1.8 Di VC USD, which has been amazing. The first lens that I bought for the camera was the Nikon 50mm f/1.8 D, and it served me quite well for over a year (it still works, and I still use it occasionally). The lens offerings include all new lenses for any DSLR that Nikon makes. This is perhaps the best part of this camera. Though this list is short, there aren’t any things I could see wanting to be changed. You can change out the focusing screen, but the one that comes standard is quite clean and bright, so I’m not sure why someone would want to. Other than a data back and vertical grip that were available for the camera, there aren’t many other accessories. At the risk of bashing the Canon Elan 7, there is no comparison to the way the camera feels in your hand. When you pick up another camera from the ’90s, be it prosumer or not, you will notice a big difference in quality. It’s actually difficult to express just how nice this camera is to hold. It is nearly entirely made of a magnesium alloy, which lends to the very sturdy feeling you get when holding it. So, for me, there was no added benefit to the F6 despite it being hundreds (if not thousands) of dollars more, even used. With that said, those “shortcomings” have never bothered me, as I prefer using modern autofocus lenses (it’s the main reason I bought the camera), and I don’t ever foresee the day in which I would want to do long exposures on 35mm.
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Not just that, the only shortcomings of the camera that the F6 corrects for is the ability to use the excellent metering system with older manual focus lenses and to use mirror lockup. When released, it was part of their prosumer line and is arguably the second-best modern film camera they ever made, second only to the F6, which is far and away more expensive. The Nikon F100 was released in 1999 and produced until 2006. On bigger ventures out where I was using one of my medium format cameras, a buddy of mine was armed with the F100, and though he had little experience with photography and no experience with film photography, he took some of my favorite photos of the trip. For short walks through the village where my friends live and in the evenings, I was keeping the F100 in hand. This benefit was more obvious than ever on my most recent (pre-COVID-19) big trip. In addition, and this is probably the best benefit to me, it is so easy to use that someone with no film experience and little to no digital camera experience can competently use it and produce some wonderful work. As such, I put more rolls through the F100 than any other camera that I own. However, there are far fewer of those instances than times when I want to shoot around the house or on walks with the dog or whatever else may be nice to keep a camera by my side. Being that it is 35mm, it doesn’t always make it out of the house if I’d rather be shooting medium format. To start, the Nikon F100 is all around the most utilitarian camera that I own. The value of this Nikon is almost impossible to beat. Even if you don’t, the F100 is still for you. If you’d like to get into film and you already have modern glass for a Nikon camera, the F100 is for you.
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